Theater also felt like a comfortable place to return to after a somewhat dramatic chapter in her screen life. When this came up, it seemed such an experience, and now that I know it’s Susan’s last show, it was the perfect time and fit.” “I had been poking around, hoping there would be a good one soon. “During the pandemic, something in my body just needed to be onstage again and go through this very long working-each-moment-out process,” she says. Still, she longed to get back to the stage. Working in those fields has been a rewarding experience and helped her and husband Eric Mendenhall pay bills. Most notable of her roles during that stretch was a recurring one as Grace Young on “Ozark.” On TV, she has been seen in “Doom Patrol” and “Reprisal.” Lind also headlined the independent thriller “Blood on Her Name,” receiving strong critical notices, and the films “Second Samuel” and the recent “Chaos Walking.” Joe Knezevich (as Tom Wingfield), Bethany Anne Lind (as Laura) and Mary Lynn Owen (as Amanda Wingfield) in Georgia Shakespeare's "The Glass Menagerie" in 2011. Known for local productions such as “Edward Foote,” “ August: Osage County,” “26 Miles” (all at the Alliance), “ Glass Menagerie” and “Metamorphoses” (both at Georgia Shakespeare), the performer found out just before rehearsals began that this would be Booth’s final show before she departs to become artistic director for Chicago’s Goodman Theatre. Lind allows that, in rehearsals, the Somebodies actors have their own spins on the characters but use each other’s ideas freely and feed off of each other. Shifting from character to character and interacting differently with her fellow actors each night requires a lot of trust. Booth and Kajese-Bolden have mentioned this is new ground for them, as well. That is the best way we’ve figured out to do it.”Īlthough Lind has performed multiple roles in a show before, nothing in her acting background has compared to this gig. We rotate through playing each of the roles.
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We are never going to be able to rehearse all of the combinations it’s impossible to get a full run. “The five of us are working very hard to get it memorized.
“We are literally figuring it out as we go,” Lind says. The experience, however, is admittedly a unique one for Lind and the performers. I liked the script and thought it was weird and really funny.” “I was interested in reading to see if it could draw me out of my theater retirement. When Lind saw that the Alliance was staging the drama, she was - ironically - working with Jacobs-Jenkins on an episode of his new FX show, “Kindred.” “He is a great writer and does such interesting work,” she says.
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